PERFORMING ARTS - KS3
Performing Arts Learning Journey
WHO’S WHO?
Progress Leader: Mrs M Callaghan
Teaching Staff: Mrs M Callaghan / Mrs. S Worthington
Link Governor: Mr P. Sharples
OUR AIMS
Up Holland High School offers students the opportunity to:
-
Explore the 3 performing arts disciplines; Dance, Drama & Musical Theatre in blocks, developing key skills and studying different styles, genres and professional works.
-
Enrich a love for the Performing Arts through further development of the key skills, using a variety of class ensemble and smaller group performances.
-
Embed prior learning into new concepts through the key skills, with added depth, independence and creativity.
To read the tables please rotate to landscape or view on a larger screen.
YEAR 7
|
|
|
TERM
|
UNIT OF STUDY
|
KEY SKILLS / LEARNING
|
Autumn
|
Project 1: Matilda
Project 2: Rock & Roll Dance
|
Explore the use of characterisation in performance
Conventions of script work
Learn to recreate movement sequences
Develop rhythm skills
|
Spring
|
Project 3: Darkwood Manor (Abstract Drama)
Project 4: Bugsy Malone
|
Develop atmosphere through soundscapes
Using poetry as a stimulus in drama
Learn about abstract performance
Develop ensemble skills in performance
Explore the use of comedy, melodrama and slapstick in performance
|
Summer
|
Project 4: Inside Out (Emotive Drama and Drama Techniques)
Project 5: Dance Elements
|
Develop devising skills and explore different audience, performer relationships
Develop critical analysis skills using Performing Arts vocabulary
Develop chorographical skills and apply dance elements more confidently
|
YEAR 8
|
|
|
Autumn
|
Social Media
|
Explore ‘Theatre to Educate”
Show empathy through creative work
Embed the use of a wide variety of drama skills & techniques
Gain knowledge of the risks of social media
Create drama based on real life scenarios
|
Spring
|
The Curious Incident of the Dog in the Night Time
|
Understand the main themes within the play
Develop an understanding of physical theatre and the company Frantic Assembly.
Devise longer, more engaging drama pieces through collaboration with other performers
Understand multi-role and ensemble work and use these with increased confidence.
|
Summer
|
Willy Russell Plays
|
Develop performances pieces based on the themes and ideas from Our Day Out and Blood Brothers.
Develop the use of accent in performance
Learn about social context in performing arts
Compare similarities and differences in Willy Russell plays and explore themes
|
YEAR 9
|
|
|
Autumn
|
Alcohol & Respect
|
Embed devising skills in drama
Create emotive and powerful performances
Use real life situations to create drama
Develop leadership/director skills
Understand audience perspectives and explore staging/blocking and technical elements of drama
Use the work of Mark Wheeler to inspire drama work, specifically Too Much Punch For Judy.
|
Spring
|
Dance Skills & Techniques
|
Embed choreography skills
Explore partner work experimenting choreographic devices
Perform choreographed work demonstrating ability to work from a theme/brief
Gain understanding of local dance companies who perform in this style
Critical appraisal of the genre
Use the ideas of Merce Cunningham to inspire dance work, specifically Chance Choreography.
|
Summer
|
Theatre Practitioners
|
Explore the style of musical theatre composers, directors, choreographers such as Andrew Lloyd Webber and Kate Prince
Develop a variety of short performances exploring Musical Theatre of different styles and decades including realism; Konstantin Stanislavski and epic theatre; Bertolt Brecht.
Gain knowledge and understanding of different theatre practitioners and roles within the theatre.
Gain knowledge and understanding of different theatre practitioners and roles within the theatre
Apply knowledge gained to practical scenarios
|
ENRICHMENT OPPORTUNITIES
Arts Leaders
Annual Dance Festival
Annual School Production
HOW TO SUPPORT YOUR CHILD'S LEARNING
Ask them what they think about specific performances; Why was it created? What does it represent? Is there a message behind the performance? What genres of performance do they prefer and why? Ask them to consider using subject specific vocabulary when discussing their favourite performances with you.
Encourage them to follow official social media pages of the practitioners/plays/musicals they study on social media.
WHERE TO GO:
Visit Larger Theatres (Liverpool Empire/Liverpool Playhouse/Liverpool Philharmonic/Manchester Opera House/Manchester Palace/Salford Lowry.)
Visit Local Theatres (Wigan Little Theatre, Bolton Octagon.)
Encourage them to attend theatre groups (Artz Centre Skelmersdale & Up Holland, Wigan Little Theatre Youth)
WHAT TO WATCH:
-
Live Musicals through streaming platforms
-
Sky Arts Channel:
-
Young Dancer of the Year
-
Playhouse Presents
-
Great West End Theatres
-
The Elaine Paige Show
-
Music Icons
-
Why Do We Dance
WHAT TO READ:
-
Rudolf Nureyev: The Life
-
Taking Flight – Michaela DePrince
-
The Young Actors Handbook
-
National Theatre Monologues
ONLINE:
National Theatre
Digital Theatre Plus
British Library
https://www.abtt.org.uk/
The British Voice Association
Contact Theatre Manchester
Candoco Dance Company
Dance Consortium
FUTURE CAREERS:
Dancer, Singer, Actor, West End Performer, Community Artist, Choreographer, Drama Therapist, Theatre Director, Arts Administrator, Broadcast Presenter, Film Director, Teacher, Special Effects Technician, Talent Agent, Costume Designer, Lighting & Sound Designer/Technician/Stage Make-Up/Voice Over/ Entertainer/ Screen Writer/Producer/Playwright.